News
From the archives: Stacey Cordivano
Veterinarians take care of animals. They take care of owners. They tend not to take care of themselves. Stacey Cordivano noticed her profession’s blind spot and built a podcast for it — well-being and personal development for the people who do the caregiving. The move isn’t unusual, but the angle is: she’s making the resource… more →
What craft transfers
Christi Cassidy edits books for a living. Her verbal-tic cleanup translated cleanly to podcasting. The skill that fought her was the one she’d built a career on: finding the story underneath. Conversations don’t sit on top of an arc the way prose does. The harder version of cross-craft work isn’t learning new things. It’s learning… more →
From the archives: Vince Quinn
Everyone in podcasting talks about their podcast. Almost no one talks about hosting. Vince Quinn named the gap: “How can I be a better host?” is a question creators rarely ask out loud. Good shows succeed by focusing on engagement rather than biography — by treating the host’s craft as a discipline, not a default.… more →
The architecture of not quitting
After six years of weekly episodes, Adam Ashton credits the show’s survival to something mundane: the other Adam. When one was down, the other was up. The standard wisdom treats survival as personal—push through the dip, find your why. But everyone’s resolve fails periodically. If your podcast is built so that nothing but your discipline… more →
From the archives: Mandell Conway
Mandell Conway has a practice question he keeps returning to: “What would happen if I just sat in it for a little longer?” The discomfort that drains you after twenty minutes — most creators read that as the signal to leave. Mandell reads it as the signal the real work is starting. The discipline isn’t… more →
When competence is the trap
Aaradhya Tiwari had the expertise, the credibility, the discipline. Ten episodes of a marketing podcast that fit her credentials perfectly. She quit. The conventional wisdom assumes you’ll stop because of insufficient skill, time, or audience. Her experience names a different problem: sufficient skill in service of the wrong project. The competence was the trap. The… more →
From the archives: Cassandra Ellis
Cassandra Ellis has learned to read a particular kind of discomfort — not the kind that means stop, but the kind that means next. Supporting other people’s podcasting work, she found herself in conversations and rooms that made her uncomfortable in the right way: “Oh, this is the next thing.” The collaborative work isn’t just… more →
Permission, not obligation
Lorraine Margherita’s talking-stick rule has one extra clause most groups miss: you hold the stick, you can speak. Or not speak. Holding it doesn’t compel you to talk. A microphone is a talking stick nobody else can take from you. Most podcasters treat it as obligation—dead air kills shows. The harder version is permission to… more →
From the archives: Rob Slater
The framing suggests fusion — orthodontics meets audio technology, skills crossing over. But Rob Slater’s actual move is the opposite: he likes keeping his podcast separate from his clinical work. The point isn’t applying podcasting skills to dentistry. It’s that the podcast is “this regular creative thing that I’m under pressure to produce” — and… more →
Penn’s four mistakes
Penn & Teller printed in their program: ‘There are 4 mistakes in this program.’ There weren’t. The line was bait so audience members could feel clever spotting flaws. Podcasters sit on the opposite side of that asymmetry. You can hear the show that was supposed to exist. The audience only has the show that does.… more →









