Posts
From the archives: Cassandra Ellis
Cassandra Ellis has learned to read a particular kind of discomfort — not the kind that means stop, but the kind that means next. Supporting other people’s podcasting work, she found herself in conversations and rooms that made her uncomfortable in the right way: “Oh, this is the next thing.” The collaborative work isn’t just… more →
From the archives: Rob Slater
The framing suggests fusion — orthodontics meets audio technology, skills crossing over. But Rob Slater’s actual move is the opposite: he likes keeping his podcast separate from his clinical work. The point isn’t applying podcasting skills to dentistry. It’s that the podcast is “this regular creative thing that I’m under pressure to produce” — and… more →
From the archives: Kathy Cocks
Kathy Cocks noticed a gap that doesn’t have a name. Families helping a parent age in place don’t always need counseling or expert advice. Sometimes they just need someone to talk things out with — a place to ask out loud, “are we doing the right thing?” Her podcast fills a need most caregiving content… more →
From the archives: Nicole Warner
Nicole Warner explores possibility not as expansive imagining but as something compressed by present circumstance: “What’s the one thing that you can do right now where you are with what you have? Because that you can actually do something about.” The point isn’t to dream bigger. It’s to act inside the constraint you actually have… more →
From the archives: Morgane Michael
For Morgane Michael, podcasting and writing a book aren’t just creative outputs — they’re how unimagined futures become visible. “There is an outcome that is super powerful that the present version of you can’t even conceptualize for the future.” The pitch isn’t about audience size or finished product. It’s about the version of you that… more →
From the archives: Joe Wehbe
For Joe Wehbe, podcasting is less broadcast than reflective practice. Starting solo, he discovered the format refined his public speaking and clarified his own thinking. Writing feeds the podcast and the podcast feeds back into writing — an iterative loop that doubles as self-development. The conversations are reusable resources and the connections they create are… more →
From the archives: Leticia Latino van Splunteren
Leticia Latino van Splunteren has produced over 250 episodes of her podcast by following one principle she’s carried since childhood: she connects people. She ignores download numbers and instead looks at the map — every continent reached. When guests are scarce, she discovered her audience actually wants to hear her think out loud. For Leticia,… more →
From the archives: Bryon Howard
Bryon Howard traces his podcasting persistence back to a small workshop community where shared struggles became shared momentum. The relationships formed there carried him through early uncertainty and imposter syndrome. What keeps him going is the unexpected power of audio itself — how sound creates intimacy that surprises even the creator. For Howard, podcasting’s value… more →
From the archives: Pete Machalek
Pete Machalek makes a counterintuitive case for audio: it limits what the audience can judge you on, which can be a feature rather than a flaw. But he argues that practicing video presentation — facing the camera and its unforgiving visual feedback — builds a kind of presence that extends well beyond the screen. The… more →
From the archives: Lindsay McMahon
Lindsay McMahon’s podcast reaches hundreds of thousands of English learners daily, yet its power lies in making each one feel seen. Built on the mantra “connection, not perfection,” the show uses rigid structural consistency — same length, same tone, five days a week — to create trust with listeners who may feel isolated by language… more →









