Two ways to hide

Dafna Gold Melchior and Craig Constantine, who hosts this show, come at self-promotion from opposite temperaments. In this conversation they arrive at the same place anyway: saying very little about their own work.

Melchior helps people clarify high-stakes messages, and her podcast, twenty episodes in at the time, is aligned with that work. Yet she suspects a listener could hear “probably all the episodes and still not know exactly what it is that I do professionally.” So maybe, she says, “I’m actually doing myself a disservice.”

The trouble is that self-promotion “very quickly becomes obnoxious,” and she is “physically allergic to obnoxious self-promotion.” She itches, she says, reading a social media post “in which somebody is talking about how fabulous their service is.” Constantine agrees, and complains that LinkedIn is sliding toward breathless posts where “everything is awesome and I’m so excited for being part of it.” Melchior’s test for anything she ships is the listener’s time. She would not want one person to come away thinking, “I want ten minutes of my life back.”

She has tried a fix. From a marketing seminar of Seth Godin’s, she took the idea that marketing is not forcing something on someone who does not want it:

“You’re actually trying to generously solve someone’s problem. If what you’re holding in your hands is not the solution to their problem, that’s fine. You move on, they move on.”

“On an intellectual level that makes perfect sense to me,” Melchior says. “But when you actually have to translate that into your own self-promotional messaging,” she goes on, and the sentence breaks off. What comes after it is “the girl in me who was taught to be modest, who was taught never to be arrogant,” and an upbringing she still largely agrees with. It “makes it hard to find an appropriate measure of self-promotion.”

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Constantine shares the result but not the reason. This show belongs to an online community for podcasters, one he is part of, and he points out that so far in this episode he has not said where to find it: “nobody knows what I do, and really, that’s me hiding.” He catches himself thinking that anyone who really wanted to find it could search, and answers himself: “people don’t have time, so just tell them where it is.” His reason for hiding runs the other way from hers. He can be “the class clown,” “the obnoxious,” “the attention seeking,” and so “I work really hard to step on that.” His own episode counts are the example he gives: “Saying that stuff makes me feel skeevy. But those are real accomplishments.”

Both are steering by the breathless post, and the safest distance from it is saying nothing.

The generosity frame was meant to break this. It changes the reason for speaking and leaves the discomfort alone, and the discomfort is what stops her at the actual message. Constantine’s answer to himself works differently. It asks no one to feel generous. It counts the listener’s time, which is Melchior’s own test, pointed the other way.

Her allergy is to wasting a listener’s ten minutes. Saying where the work lives takes a few seconds. Leaving it out costs the listener a search, and some listeners will not make one. Measured by the listener’s time, the silence is not the modest option.

Neither of them is wrong about the breathless post. It fails the same test, spending the reader’s minutes on the writer. So the line was never between speaking and keeping quiet. It runs between words that spend a listener’s time and words that save it.


This field note references the Podtalk episode “Alignment with Dafna Gold Melchior,” published July 26, 2021.

This work was produced using AI language models directed through an editorial system designed by Craig Constantine. The author selected all source material, designed the creative framework, directed the editorial process, and made all acceptance and revision decisions. The prose was generated by AI under sustained human editorial direction.